07/02/2011 § 3 Comments
Artist Feature, vol. 6
Though Weston is mostly known for his still lifes of inanimate objects such as peppers and cabbage leaves, his landscapes explored the same subject of form that guided most of his work. Here, in Clouds, Trees, Water Weston captured the flora and scenery at Point Lobos,CA and the desert landscape of Oceano,CA.
If you look closely through his images you’ll note why Edward was a part of the f/64 group (which included legendary landscape photographer Ansel Adams). His images often employed the use of deep depth of field allowing for all planes of the images to be crisp and in focus (achieved through closing the aperture to f-stop 64). As in his still lifes, curves, cracks and shadows seem to bring the objects to life as Weston’s compositions create movement, contrast, and texture.
Perhaps intentionally, or not, you can start to see traces of human characteristics in these images. Limbs within clouds. Bodies within trunks. Faces within stones. You back up to recognize your imagination is playing with your sight but nonetheless clues suggesting anthropomorphism are in place. Now I wonder, did Weston see the same mirages and were they what drove him to take these photographs in the first place?
06/29/2011 § Leave a comment
Project Feature vol. 1
This 387.5 squared ft getaway on the shores of Sao Paulo was designed by Brazilian architects Alan Chu and Cristiano Kato as a maid’s quarter . The petite treasure of a building was featured in the 8th Brazilian Architecture Biennale in 2009.
This often forgotten programmatic space was given a new importance in the Casa Box. The upper bedroom juts out from the large boulder adjacent to it as the kitchen grows organically below. The structure is at once modern and contextual with the use of linear forms and natural materials such as stone and wood. In this not-so-humble abode the simplicity of the design establishes its elegance and beauty. Oh, and did I mention the view?
(Photography by Djan Chu from ArchDaily)
04/23/2011 § 1 Comment
EVERY YEAR IN MILAN THE MOST INNOVATIVE AND INFLUENTIAL PERSONALITIES of the design world gather for a week to contemplate the newest creations, trends and technologies. This year the event hosted by Baccarat and Veuve Cliquot was held April 12-17th. Baccarat displayed their new collection of crystal chandeliers amongst whimsical cloud installations (as seen above).
So what did all the big names in Italian design bring to the table this year?
Moroso displayed the Biknit Seating collection by Patricia Urquiola: “an exaggerated stitch pattern, an expanded, intense aesthetic transforms a weave into a visible, dramatic design.” They also showed her Klara collection of wooden chairs, Tokujin Yoshioka’s Memory chair and Doshi & Levien’s Impossible Wood chair among several other novelties.
Artemide showed off Karim Rashid’s newest lighting creation, the Nearco pendant, alongside Guido Matta & Enrico Girotti’s Nuboli lamp (a translucent ceiling pendant in the shape of a cloud).
Zanotta presented their 2011 Novelties at the show including the steel asymmetrical Lama Chair by Ludovica & Roberto Palomba alongside the twisted Elica 2576 Table that comes in a white or black high gloss finish.
Domitalia brought to the table some beautiful new seating options with the New Retro chair by Fabrizio Batoni Design, the Playa chair also by the same designer, and the glow-in-the-dark outdoor Baba chairs by Radice Orlandini Designs.
Philippe Starck collaborated with Eugeni Quitllet to create the entirely natural Zartan chair. Made of a new technology using “liquid wood” the chair is molded much like polycarbonate but fuses only with other natural materials such as fibers, wax and fish oil to create a “strong, non-toxic alternative to petroleum-based plastics”. The chair is envisioned in 5 varying finishes: bamboo, flax, hemp, jute and rattan.
Belgian designer Marteen de Ceulaer came up with an innovative method of creating bowls by pouring dyed plaster into a balloon then placing another balloon inside it, blowing it up and allowing the plaster to dry. The result is organic as the bowls have an array of varying color, sizes and shapes in a smooth finish and irregular edges.
Another response towards sustainability was brought by designer Tobia Juretzek with his Rememberme chair made of old garments that would otherwise have been discarded and unused.
* Photos of objects in Other Highlights are (c) of Design Boom
03/23/2011 § Leave a comment
These are photos from one of the most recent projects from Miami based interior design firm DKOR Interiors.
The design of the ocean-front penthouse borrows from the seashore nearby it’s curvilinear forms, organic textures and abundant light accentuated with the repetition of white. The result? An airy modern beach house in the sky.
Photos by Renata Bastos
03/06/2011 § 1 Comment
Artist Feature vol. 4
This past week at the TED Miami event I heard Edith Widder the marine biologist state that more than 90% of the Earth is ocean. Yet there is still so much we do not know about the oceans and the seemingly infinite variety of creatures that inhabit them.
The ocean evokes so many connotations from it’s mighty power and volume to the serene tranquility of it’s vastness. The Japanese photographer Hiroshi Sugimoto captured the essence of these waters in his breathtaking meditative series entitled “Seascapes“.
” Water and air. So very commonplace are these substances, they hardly attract attention―and yet they vouchsafe our very existence.
The beginnings of life are shrouded in myth: Let there water and air. Living phenomena spontaneously generated from water and air in the presence of light, though that could just as easily suggest random coincidence as a Deity. Let’s just say that there happened to be a planet with water and air in our solar system, and moreover at precisely the right distance from the sun for the temperatures required to coax forth life. While hardly inconceivable that at least one such planet should exist in the vast reaches of universe, we search in vain for another similar example.
Mystery of mysteries, water and air are right there before us in the sea. Every time I view the sea, I feel a calming sense of security, as if visiting my ancestral home; I embark on a voyage of seeing. ”