10/26/2012 § Leave a comment
So today I was talking to my coworkers about the amazing optical phenomenon that is the camera obscura. I went online to look for some examples and I came across the work of photographer Abelardo Morell.
Abelardo has been taking these “travel” photographs since the early 90’s starting with black and white film moving into color and finally digital photography. He uses this optical device first discovered in the 5th century B.C. to fuse the inside with the outside creating literal yet ethereal images. From Times Square to Florence’s Baptistry, Abelardo has traveled the world documenting these camera obscuras.
The camera obscura is created by blocking out all the light in a room and then creating a pinhole (small hole) on one of the sides (that faces the view you want to capture) allowing the view outside to be projected onto the opposite wall, upside down. Why does this happen? Light travels in straight lines and when some rays reflected from a bright object pass through a small opening with a thin surface, instead of dispersing, these rays reconstruct as an upside down image on the flat surface opposite the hole.
Artists such as Leonardo da Vinci used the camera obscura as a drawing tool using it to project views onto the canvas/paper and sketching over them. There is a much disputed debate about whether advances in realism in the art of the early Renaissance occurred due to the aid of optical devices such as the camera obscura (Hockney-Falco thesis).
To learn how to make your own camera obscura click here!
09/24/2011 § Leave a comment
I feel I MUST explain my silence but instead I’ll just tell you what I’ve been up to for the past couple months!
“Goin’ to the chapel and they’re gonna get married” – Yep, that’s right guys love is in the air since my big sister is going to the chapel next month. Except it won’t be a chapel it’ll be a big building. We threw her a couples shower a la tiffany-blue-vintage-Rio that I’ll be sharing photos of!
Since I’m planning on moving to another part of town I’ve started documenting my neighborhood in Miami Beach using black and white film, my digital SLR, and a polaroid camera.
I’ve also photographed several new interior design projects for Dkor Interiors in the past months that I’ll be uploading for your viewing pleasure!
And, of course, there’s all the inspiration that comes along the way!
07/09/2011 § Leave a comment
1. Okay so browsing through my bookmarks of favorite blogs I came across thismodernromance and was reminded of how stunning and truly romantic is the work of this husband + wife team of photographers. I insist, you must browse their portfolio of latest work for a dose of this sweetness!
2. Last month Hospitality Design Magazine released their 2011 Design Awards and this laid-back industrial-cool New York spot stole a Best Green/Sustainable Project Award. Bell Book & Candle, designed by Grade Architecture & Interior Design, has an aeroponic roof-top tower garden where they grow 60% of the fresh produce that goes into their dishes. Their menus also constantly change according to what’s growing upstairs. Talk about vertical farming!
3. So last but not least, while shopping for a client on my day job this week I spruced on up into this gorgeous store in Miami’s Design District only to find an amazing collection of the most beautiful and sophisticated furniture and accessories! Even if you have no plans to purchase it’s honestly worth a “window-shop” for any interior-design enthusiast! Michael Dawkins Home.
Have a beautiful weekend!
YOU MIGHT ALSO LIKE:
07/02/2011 § 3 Comments
Artist Feature, vol. 6
Though Weston is mostly known for his still lifes of inanimate objects such as peppers and cabbage leaves, his landscapes explored the same subject of form that guided most of his work. Here, in Clouds, Trees, Water Weston captured the flora and scenery at Point Lobos,CA and the desert landscape of Oceano,CA.
If you look closely through his images you’ll note why Edward was a part of the f/64 group (which included legendary landscape photographer Ansel Adams). His images often employed the use of deep depth of field allowing for all planes of the images to be crisp and in focus (achieved through closing the aperture to f-stop 64). As in his still lifes, curves, cracks and shadows seem to bring the objects to life as Weston’s compositions create movement, contrast, and texture.
Perhaps intentionally, or not, you can start to see traces of human characteristics in these images. Limbs within clouds. Bodies within trunks. Faces within stones. You back up to recognize your imagination is playing with your sight but nonetheless clues suggesting anthropomorphism are in place. Now I wonder, did Weston see the same mirages and were they what drove him to take these photographs in the first place?
YOU MIGHT ALSO LIKE…
06/25/2011 § Leave a comment
In post-war Southern California the residential housing boom inspired a group of prominent architects sponsored by Arts and Architecture Magazine to tackle what they saw as the current issues in the typical American home. Each architect was to deal with one of these problems and resolve it in the best way they saw fit using materials and methods that would be readily available and easily duplicated. The program that was to be known as the Case Study Houses ran from 1945 up until 1966.
The group of architects included many of the big names of Mid-Century Modern design. These included Richard Neutra, Pierre Koenig, Charles Eames, Eero Saarinen, Rodney Walker, and JR Davidson. Many of the Houses (such as #22 on the left) were shot for the magazine by the now infamous photographer, Julias Shulman.
The Case Study Homes changed the way Americans lived and built their homes. These West Coast models were soon transported throughout the country. The Stahl residence (#22), probably the most well-known of the Case Study homes, became an icon of American design and the new optimistic “Modern” way of life.
The homes generally sought to blur the lines between inside and outside by using innovative curtain wall building technologies that would allow for wide spans of glass. By placing load-bearing steel columns on a grid on the interior of the home, the facades would be free of structural responsibilities. The floor plan of the American home was Modernized by opening up walls and blending functions into large spaces; thus the marriage of the living, dining and kitchen to create the Great Room. The architects also extended the living space to the exterior by incorporating elements such as pools, large overhangs and paved decks that would further encourage the use of the outdoor room.