Designer Feature, vol. 4
When you think renaissance man in the world of design Gio Ponti is your guy. This man was a painter, an industrial and furniture designer, an architect and the editor and founder of the quintessential Domus (1928) and Stile magazines. Born and raised in Milan, Ponti was an advent propagandist for the love of architecture and design which he wrote of in his 1957 collection of essays Amate l’Architettura (published in english as In Praise of Architecture).
Ponti utilized Domus to openly explore diverse topics of his concern and express his personal views all the while maintaining a clever openness that established the magazine as Europe’s most influential architecture and design magazine.
Gio Ponti was in Milan around the same time as the avant garde Futurists and Group 7 were exploring their ideas for radical change. Though he was around the key figures of these movements Ponti remained focused on finding the “finite form” in design rather than revolutionizing existing dogmas. He had his own ideals of design that bloomed from Modernism but was more particularly concerned with context, comfort, function, lightness and elegance. He was an admirer of Le Corbusier and the Bauhaus but was certainly not one of those “glass box boys”, as Frank Lloyd Wright once clarified.
His daughter summarized Ponti’s career with the following remarks, “Sixty years of work, buildings in thirteen countries, lectures in twenty-four, twenty-five years of teaching, fifty years of editing, articles in every one of the five hundred and sixty issues of his magazines, two thousand five hundred letters dictated, two thousand letters drawn, designs for a hundred and twenty enterprises, one thousand architectural sketches. It was a great deal, and all from one man”.
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